Destinations

Brooklyn House, Howard

by Christine Salins on April 29, 2012

Brooklyn House

Preserving Brooklyn House for future generations is a labour of love for Jan and Terry Ward. They live in this grand colonial homestead, sleeping in the beautifully furnished main bedroom by night, and tidying it up to look like a museum by day.

In fact, Jan told me during my recent visit that when her children were small, they got tired of always having to tidy their bedroom in preparation for the influx of visitors.

Eventually, the Wards created rooms in the attic that were out of sight from visitors, leaving the nursery to be displayed with old-time toys and beautiful old clothes.

The fact that Brooklyn House is still lived in and so clearly loved is one of the charms of this historic home in the little town of Howard, near Maryborough in Queensland.

Dining Room

The house was built in 1890 and was originally on 5000 acres owned by the Rankin family. Dame Annabelle Rankin, Australia’s second female senator and the first Queensland woman elected to the Australian Parliament, lived there as a child.

Although the land-holding has since been reduced to 4 acres, it has a beautiful lush garden that almost hides the house from view.

Once a social hub and showpiece of the region, the house is built largely of cedar and beech, with 14ft high ceilings, two marble and two cedar open fireplaces, open 9ft wide verandahs and a grand double-stairway entrance.

Jan Ward

Jan Ward

At one time it was staffed by cooks, maids, gardeners and groomsmen, with grass and “ant bed” tennis courts, a croquet court, a billiard room and stables.

The Wards bought the house in the 1980s when their children were small and have done a huge amount of restoration to preserve it for future generations.

I was surprised to find when we arrived for one of their scheduled guided tours that there was a “For Sale” sign outside. But yes, Jan said, the house is too big now that their children have left home, and the Wards want to be free to pursue other adventures.

So if you’ve always dreamed of living in a beautiful old Queenslander, I’m sure Jan would be delighted to hear from you.

Lounge

We enjoyed a Devonshire tea on the veranda and were very impressed with the scones that Jan had baked that morning. She caters for a lot of bus parties and had just farewelled a group when we arrived, so she had already baked countless batches of scones that morning.

They had a lovely texture and weren’t dry like scones often are. We asked Jan what her secret was and she said it was using cream in the mixture. Jan uses her grandmother’s recipe, which she has kindly allowed me to pass on to you, dear readers. Enjoy!

BROOKLYN HOUSE SCONES

4 cups self-raising flour
1 cup water
1 cup milk
1 cup cream

Preheat oven to hot (about 240 deg C).
Sift the flour. Mix the wet ingredients together and pour them into the flour. Mix the ingredients together but do it quickly, don’t play with it. If it is too dry, add more water till it is playdough consistency. Roll the mixture out till it is about two inches (5cm) high, cut out the scones and flatten them with your fingers till they are about an inch high (2.5cm).
Bake them in the oven – they should take exactly 15 minutes to be cooked perfectly.

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Canberra International Music Festival

by Christine Salins on April 23, 2012

Music

Some of Canberra’s most iconic architectural spaces and national institutions will provide the setting for an innovative and inspiring program of classical, jazz and contemporary music next month.

The Canberra International Music Festival gets underway with a Gala Concert on May 11 and culminates in a Finale concert at the National Museum of Australia on May 20.

Over 10 days and two event-packed weekends, the Festival will feature more than 30 ticketed and free events, including concerts, lectures and films.

The concerts will feature international and nationally acclaimed artists and choirs, with 17 of the events being world premieres.

Some of the highlights include:

  • The music of Mozart, this year’s featured composer;
  • A musical voyage from Europe to China, travelling down the Silk Road;
  • Music from Peteris Vasks, composer in residence;
  • The first Australian performance of Bach’s Mass in B Minor on period instruments;
  • Free lectures and recitals at the ANU School of Music Fringe Festival.

Founded in 1994 and an annual event since 1997, the Festival originally focused on chamber music. It remains true to its core but its scope has since broadened to include classical, jazz, contemporary and world music.

Performances are largely acoustic and the emphasis is on intimate venues with exceptional acoustics. As anyone who has been to previous Festivals will attest, its  Amazing Space concerts are an unforgettable experience.

The music soars through Canberra’s remarkable architectural spaces and landscapes, and prominent architects provide a rare glimpse into the genesis and history of the city’s iconic buildings.

Among the cultural institutions hosting events are the National Gallery of Australia, the National Portrait Gallery, the National Museum of Australia, the High Court of Australia, the Museum of Australian Democracy and the Australian War Memorial.

The city’s beautiful Albert Hall is the home venue for this year’s festival, and St. Christopher’s Cathedral and the Turkish Embassy will also host events.

Among the artists performing are the Wallfisch Band, Omar Faruk Tekbilek, the New Zealand String Quartet, the Song Company, Osmosis and composer in residence, Peteris Vasks.

The composer in residence program provides an opportunity for audiences to engage with composers and appreciate the context in which music was written.

Composers in residence at past festivals have included Peter Sculthorpe, Ross Edwards, Elena Kats-Chernin and Graeme Koehne.

Sculthorpe’s work Shining Island had its premiere in Canberra in 2011 and has since been performed at the City of London Festival and by the BBC National Orchestra of Wales.

Sculthorpe is one of the Canberra International Music Festival’s most ardent supporters, saying that it makes an important contribution to Australian culture. “No other festival has a deeper meaning for me,” he says.

Larger works presented at the Festival are performed by the Festival Camerata, an orchestra comprised of visiting artists and students from the ANU School of Music Chamber Orchestra, and for the first time in 2012, students from the Australian National Academy of Music in Melbourne.

Local choirs, the Oriana Chorale, Canberra Choral Society, the Resonants, Llewellyn Choir, SCUNA and the ANU School of Music vocal students are regular performers at the Festival.

In 2011, a newly formed Combined Canberra Children’s choir performed to a sell-out crowd and this year the choir has been expanded to include around 250 children from regional NSW choirs.

Next year, it will have even broader representation, with children recruited nationally in celebration of the founding of Canberra as the nation’s capital.

Next year’s Centenary of Canberra celebrations are already making their mark on the Festival.

This year will see the second instalment of the Canberra triptych focusing on Canberra’s role as an international city and a centre of international diplomacy.

The Festival has a “Meeting Place” theme, drawing on the meaning of Canberra in the local Ngunnawal language, and exploring how geography and cultural identity plays a role in bringing nations and cultures together.

The four concerts in this year’s Amazing Spaces program will explore the idea of Canberra as a planned city. One of the concerts will be in the Brazilian Embassy to reflect Canberra’s connection to other planned cities.

The courtyards of some of Canberra’s historic buildings will be venues for other events, with a courtyard concert at Old Parliament House and a walking tour to listen to music in the courtyards of University House, the National Film and Sound Archive and New Acton.

This is a glorious time of year to be out and about enjoying inspired music in beautiful local settings. To enhance your experience, why not add a visit to some of the region’s wineries and restaurants? Or perhaps take in an exhibition at one of the national institutions?

Fact file:

Tickets are available from Canberra Ticketing on +61 2 6275 2700 or at                www.canberraticketing.com.au

Tickets can also be bought at the information desk in the Canberra Centre or in person at the Canberra Theatre Centre. Individual concerts are priced from $35 to $65.

A weekend pass (8 concerts) costs $290.

Gold Passes ($590) provides entry, priority seating for all 27 festival concerts and an invitation to a special Gold Pass event. These can be bought from the Festival office: +61 2 6230 5880 or www.cimf.org.au

Photos courtesy of Canberra International Music Festival.

Music

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It’s Raining Melons in Chinchilla

by Christine Salins on April 10, 2012

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It’s raining melons in Chinchilla – well, that might be a slight exaggeration but the truth is, a lot of melons are farmed in this district.

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Every year in February the town plays host to a Melon Festival, and everywhere we’ve been driving over the last few days, we’ve been seeing roadside stalls selling watermelons, rockmelons and a fruit that I’ve always called champagne melon but which the locals apparently call mango melon.

 

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Chinchilla is a small town on the Darling Downs, about 300 kilometres west of Brisbane, the centre of a pastoral region which is now riding on the back of the resources boom.

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My mother grew up in this district and I have family links to the region dating back more than 100 years. So we’ve been spending the Easter weekend reconnecting with family and feasting on lots of watermelons.

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First stop … the visitor’s centre which does a lovely Devonshire tea with homemade scones. Kudos to the wonderful band of volunteers for serving loose-leaf tea in a pot! $5 well spent.

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Specially for Easter, there was a market set up under the shady trees nearby, where we bought locally made Raspberry Jam with Gin and Strawberries in Champagne – so decadent!

Jam

We’ve enjoyed one long table lunch after another courtesy of my big extended family. Cousin Geoff cooked a hearty Osso Bucco with freshly baked damper and there’s been an abundance of home-baked cakes, pies and biscuits to tempt us. No-one goes hungry here.

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We caught a beautiful sunset over the Condamine River at Chinchilla Weir, a lovely picnic spot, and at the end of every meal we’ve been enjoying … you guessed it … big, juicy, crisp, sweet melons.

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